Kunstkaart

Artist-Plaster blok-Baum 1.-Berlin This work of ‘art’ shows both movement and immovability. But it also shows that a tree with an attached minimalistic piece of art can work together as a new idea, maybe it forms an Arte Povera setting, or at least there is something happening or the feeling that something has happened with the tree should arise. Will it die, will the tree grow astray, will it grow around the plaster - as it does with wire - or does the tree win and destroy the piece of ‘art’? A man with a piece of plaster on his body, is less mobile, not able to make love (and listen to his genes), sacrifices his freedom voluntarily. But the spectator knows that the man standing there will not be standing there until he/she dies from hunger or breaks out off the plaster. When the person does not receive help, it is definitely the end of this person (killing his genes, not wanted). The imperfection of man (artist) in one image. It is not to lay it on what the work around the tree already does. It is like having the guts to subdue yourself to your work(s), or the things you visualise can’t be seen apart from yourself, though they are not a part of you. You subdue yourself to it, although a creator wishes to be acknowledged as THE CREATOR, THE ARTIST, False Vanity.